Sunday show watch list – please update the post with your available times

Justin 2-3

Jane 3-4 or 4-5

Cailtin possible 5-6

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“The instant of actuality is all we can ever know directly. The rest of time emerges only in signals relayed to us at this instant by innumerable stages and by unexpected bearers.” from The Shape of Time by George Kubler

LoadBang is a group show of performance and installation work presented by BFA and MFA students from the School of the Art Institute of Chicago. The show engages notions of embodied presence and technological m…ediation using a range of creative techniques and media, combined with a healthy dose of irony. The pieces in the show employ a range of materials and subjects, from dry ice to war casualties, from sunsets to brainwaves to shadows, from 3d cameras to durational dance and ephemeral architecture. On the technical side, many of the the projects utilize programming to drive various live and occasionally interactive media systems. The work takes the form of live performances, installations and screenings shown over the course of a weekend at Defibrillator Performance Art Gallery.

Opening times:

Fri 5/20: Opening at 6pm

– Durational performances by Jane Jerardi; Lantian Xie in collaboration with Hala Ali & Hurmat ul-Ain

– Live performance and screening cycle #1: 7pm-8pm ; [Dan Fandino, Only the Good Parts, Caitlin Baucom, Xin Wang, Jacob King]

– Live performance and screening cycle #2: 9pm-10pm [see above]

Sat 5/21: 12pm – 9pm

Sun 5/22: 12pm – 6pm

Featuring:

Only the Good Parts (David Musgrave, Performance, 2011)
Only the Good Parts is a collaboration between David Musgrave (visual manipulation) and Saul Rojas (audio manipulation). In this performance Only the Good Parts will manipulate imagery and sound in order to create a encompassing experience targeting both the visual and auditory senses in hopes to fully engage the audience.

Collateral (Justin Smith, installation, 2011)
Collateral is a piece that seeks to create a physical link between civilian deaths on both sides of Operation Enduring Freedom. The piece consists of two small boxes emitting bright flashes of light. By using these disorienting flashes, the piece aims to create an atmosphere of bewilderment among the viewers. Each flash from the boxes represents one death during the 9 years of the conflict thus far. These flashes function as both a memorial to those who have been killed, and a representation of distractions that help the general population deal with the war in a way that they can process.

Provision Initiative (Lantian Xie in collaboration with Hala Ali & Hurmat ul-Ain, 2011)
Provision Initiative is a live media installation wherein viewers are queried by an agent about their national affiliations. Responses are tallied and ranked in a form reminiscent of flight information display systems.

The Distance Between You and Me (Jane Jerardi, 2011)
The Distance Between You and Me pairs the ephemeral with the embodied, the everyday with the sensual. Fleeting projected images of phantom-like arms caress a dancing, moving body in a live performance, speaking to the fragmented nature of contemporary communication and relationships.

You Are Here So Are You and You Were Too (Marla Sanvick, 2011)
You Are Here So Are You And You Were Too, uses the window galleries, Electrodes, of Defibrillator combined with hand woven fabric to reflect the space of the surrounding environment. The structure of the fabric mirrors the construction of the city. Video projection of people passing by are woven into the installation adding movement and what is essential within an urban landscape, human presence.

Cold Wars (Catherine Pancake, Installation 2011)
Cold Wars presents a spatial & interactive dialogue between a 2x2x2 clear glass cube transformed by enclosing 400 lbs of solid dry ice (CO2), and a video projection revealing fragments of the 1966 FBI file of Fluxus leader George Maciunas.

++++++++++++++++AND MORE+++++++++++++++++

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Updated DfB Show Spaces – comment for responses, changes etc

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funz

video del_______ayer

http://www.zachpoff.com/software/live-video-delay/

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show title?

I kind of liked the way Nadav called us all ‘live mediators’ in one of his last email missives.  (maybe because it made me think of meteors?) ….so, what about ‘mediator’ or ‘mediators’ as a show title?  Maybe not quite right but maybe good to start the brainstorming?  Perhaps we can come to some conclusion on Thursday?

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great solution for adjusting brightness contrast on uyvy

just found this, thought it might be useful for others

http://www.cycling74.com/forums/topic.php?id=2274

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dfbrlr8rr

Helllo everyone!

I’m planning on using the storeroom space in the back under the stairs?

If anyone else was planning on using this space, let me know.

I’m going to have a stack of milk crates in the corner cut so that the top one goes into the slant of the stairwell.  Video of milk will flow down the crates when no one is in the room.  The “window” in there will have a farm scene in it that someone will pass through when motion is sensed in the room.. so you’ll walk in, the milk will trail off and someone will walk past the window.

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Data Set/Live AV Art/Live Generated Art

Books to look at for more info one Live AV Art:

The VJ Book: Inspirations and Practical Advice for Live Visuals PerformanceEisenstein on the Audiovisual: The Montage of Music, Image and Sound in Cinema (International Library of Cultural Studies)

Contemporary Examples:

http://www.thelightsurgeons.co.uk/

http://www.snibbe.com/

http://toplap.org/uk/event/spacecode1/

Jacob Korn:

http://vimeo.com/2673496

Zachery Liberman:

http://www.youtube.com/watch?v=pZM8D3ogN1g&NR=1

Daniel Rehn:

http://vimeo.com/7525850

Live AV Media:

http://www.youtube.com/watch?v=NokLuTSeUjU

Billy and Roisz and Dieb13:

http://www.youtube.com/watch?v=8N9DPzwRQf0

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d/fb8r show

I’ve marked a potential location for my piece on Sarah’s excellent floor plan of the dfbr8r space.  I’m of course open to shifting my location to make sense with the other work in the show.  I’ll look forward to speaking about this more tomorrow!

I can provide final technical requirements tomorrow, after I figure out some final things for my piece!  But, I plan to have some type of tracking (either with video camera or kinect), a laptop, and a projector. I have a pedestal I can bring to hold projector and perhaps can hide laptop and cables underneath it?  I have some clip lights, but might need assistance with additional lighting.  I’d also love to collaborate with someone who might be willing to be an ‘operator’ during my performance in exchange for me helping them with their project.  Let me know if you’re interested…

So, I guess we can discuss more tomorrow.

Thanks Nadav for organizing this and thanks to Sarah, Josh and Marla (and others?) who went to take measurements of the space.

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