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Monthly Archives: March 2011
D/fb space pictures
Add your own to the gallery in this post, or link to wherever you put your images:
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Last Christmas I gave you my heart, but the very next day, you took it away…
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Ideas Yay
Spatially mapped narratives Activated space by participation (text/video) Video (painting) mirroring audience, in distance and movement Biometric video control (heartbeats) Vocal improvisations based on mappings Composite video using multiple cameras and navigable space with focal point Knob Machine Camera for … Continue reading
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“Vision Machine” Presentation_ Reference from Xin:
Vision Machine and Beyond [Top Secret Military’s Surveillance Remote Control Robot] New Technology: \”The world is seen by machine Top secret military robot multipurpose security surveillance remote control vehicle \” [Sousveillance – “Everyone’s Watching”] Everyone’s watching Wiki Sousveillance DIY Hwang … Continue reading
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“Vision Machine” Presentation_ Reference from Jing:
“Audience”, by the choreographer Wayne McGregor for the Deloitte Ignite Festival, in London, September, 2008 Audience Installation in Royal Opera House “PHYSIOGNOMIC SCRUTINIZER ” The Physiognomic Scrutinizer PHYSIOGNOMIC SCRUTINIZER 2008/2009 Sven Sousveillance culture SVEN at the Whitney Museum, New York … Continue reading
Argus and friends
Gorgon Stare & other DARPA toys , and Iris Scanning everywhere in Leon, Mexico. On the other hand, there’s SVEN:
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Bodies in Space / Media Dance
Ghostcatching by OpenEnded group: And just as reference, Schlemmers Pole Dance:
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Live Feeds, Video, Theatrical Spaces
Marla and I will be talking about live-feeds, real-time systems, and real-life/mixed-reality systems as part of a presentation during Sunday’s make-up class. I’ve found a range of examples that might be of interest – some involving audiences by tracking their … Continue reading
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Jerzy Grotowski
“Why do we sacrifice so much energy to our art? Not in order to teach others but to learn with them what our existence, our organism, our personal and unrepeatable experience have to give us; to learn to break down … Continue reading
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